{"title":"Snob","description":null,"products":[{"product_id":"33-poesias","title":"33 Poems","description":"\u003cp\u003ePersonal selection, translation and preface (Adolfo Luxuria Canibal) of the poetry of Mayakovski, written between 1912 and 1930.\u003c\/p\u003e\n\u003cp\u003e1912 is the year of the manifesto «A Slap in the Face of Public Taste», the first manifestation of Russian Futurism. 1930 is the year of his suicide, by pistol shot.\u003c\/p\u003e\n\u003cp\u003eThis selection focused only on the poetry, deliberately setting aside all his poems, in the Russian sense of the term. Thus, some of the essential texts of his poetic writing were left out, such as «A Cloud of Trousers», «War and the World», «150,000,000», «About This», «Lenin» or «The Flying Proletarian».\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e« Considering that any one of these works would, by itself, make a small book, I preferred to focus on a portrait of Mayakovski's creative multiplicity, which the collection of shorter and more scattered texts over the years makes possible. »\u003c\/em\u003e ADC\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVladimir Mayakovski (1893-1930, Russia)\u003c\/strong\u003e was a Russian poet and playwright, one of the great innovators of 20th-century poetic language, alongside Ezra Pound and T.S. Eliot.\u003c\/p\u003e","brand":"Snob","offers":[{"title":"Default Title","offer_id":45211042349322,"sku":"","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2729\/6266\/files\/33POESIAS.png?v=1708335511"},{"product_id":"dias-da-noite","title":"Days of the night","description":"\u003cp data-end=\"998\" data-start=\"0\"\u003eStories. Small. Dense. Corrosive. Handle with care.\u003c\/p\u003e\n\u003cp data-end=\"998\" data-start=\"0\"\u003eThe cruel elegance of everyday normality. In childhood, cruelty disguised as innocence, the latent violence lurking beneath the veneer of domestic life.\u003c\/p\u003e\n\u003cp data-end=\"998\" data-start=\"0\"\u003eAll it takes is a child who lies naturally, a family nourished by resentments (is there any that isn't?), a banal gesture that opens the way to the abyss. \u003c\/p\u003e\n\u003cp data-end=\"998\" data-start=\"0\"\u003eReading \u003cem data-end=\"741\" data-start=\"726\"\u003eDays of the Night\u003c\/em\u003e is realizing that horror lies not in grand catastrophes, but in small acts of selfishness, lies, and revenge. \u003c\/p\u003e\n\u003cp data-end=\"1682\" data-start=\"1000\"\u003eSilvina Ocampo (1903–1993), sister of Victoria Ocampo, was one of the most original and underestimated voices in Argentine literature. A trained painter and writer by destiny, she devoted herself primarily to the short story. Often relegated to the background due to the brilliance of Borges and Bioy Casares, with whom she shared affinities and projects, Silvina built a singular body of work, marked by irony, subtle cruelty, and a disturbing imagination.\u003c\/p\u003e\n\u003cp data-end=\"1682\" data-start=\"1000\"\u003eReading Ocampo is facing the uncomfortable certainty that monstrosity rarely comes from outside: it lives within each of us.\u003c\/p\u003e","brand":"Snob","offers":[{"title":"Default Title","offer_id":45212390621450,"sku":"","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2729\/6266\/files\/0ed7359-capa-site-silvina-ocampo-dias-da-noite.png?v=1757342780"},{"product_id":"bestiario","title":"Bestiary 2","description":"\u003cp\u003eJoana Pires \/ Hetamoé \/ Marcos Farrajota \/ Alberto Velho Nogueira \/ Richard Kearney \/ Tiago Manuel \/ Daniel Jonas \/ Paulo Catrica \/ Álvaro Domingues \/ João Diogo Correia \/ Lais Pereira \/ António Gregório \/ Alexandre Andrade \/ Ana Biscaia \/ André Tavares Marçal \/ João David Fernandes \/ Beatriz de Almeida Rodrigues \/ Sean Bonney \/ Pierre D. \/ António Albata \/ Catagreena \/ Manuel João Neto \/ Aida Castro \/ José Emílio-Nelson \/ Meredith L. Patterson \/ Emanuel Pereira \/ André Coelho \/ Maribel Mendes Sobreira \/ José Manuel Ventura \/ Dilar Pereira \/ Rui Baião \/ Maria Santos \/ Emi Anrakuji \/ Antón Fernández de Rota \/ Momo Okabe \/ Pê Feijó \/ Beatriz Bagulho \/ Rui Eduardo Paes \/ António Baião \/ João Jacinto \/ Catarina Real \/ César Gomes\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eThe Monster is a body saturated with organs, crevices, roughness, caesuras, echoes, excess, negation, and empty spaces.\u003c\/p\u003e\n\u003cp\u003eIf everything fits in a body, that body will fit nowhere.\u003c\/p\u003e","brand":"Snob","offers":[{"title":"Default Title","offer_id":45212392849674,"sku":"","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2729\/6266\/files\/BESTIARIO2.jpg?v=1708441117"},{"product_id":"em-acucar-de-melancia","title":"In watermelon sugar","description":"\u003cp\u003e\u003cem\u003eIn Watermelon Sugar\u003c\/em\u003e\u003cspan\u003e, we are told of a narrator who recounts his experiences in this utopian (is it?) post-apocalyptic world, where the sun changes colour from day to day, where everything is made of watermelon sugar, and where life is lived in peace and apathetic tranquillity, with references to the experimental communes of the 1960s, always contrasted with the latent violence of inBOIL—a violence that can be seen as true freedom. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBrautigan seems to be suggesting another place in which to experience life, testing the imagination and winking at the counterculture generation. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt is in the denial of reality that alternatives are found here, in the company of characters who are, at the very limit, profoundly real.\u003c\/span\u003e\u003c\/p\u003e","brand":"Snob","offers":[{"title":"Default Title","offer_id":45275212153098,"sku":"","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2729\/6266\/files\/EMACUCARDEMELANCIA.jpg?v=1709479898"},{"product_id":"o-livro-da-pobreza-e-da-morte","title":"The Book of Poverty and Death","description":"\u003cp\u003e\u003cspan\u003eThe Book of Poverty and Death is a prayer, a song of poverty, of the essential and permanent hidden or adulterated, and a profound reflection on the human condition. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWritten at the beginning of the century, this text retains all its power today, in our fast-paced, urban, individualistic, and materialistic times. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA book that forces us to stop, to seek the silence we need. The magnificent translation by Ana Diogo and Rui Caeiro brings the power of the original German into the Portuguese language.\u003c\/span\u003e\u003c\/p\u003e","brand":"Snob","offers":[{"title":"Default Title","offer_id":45275598061834,"sku":"","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2729\/6266\/files\/OLIVRODAPOBREZAEDAMORTE.png?v=1709489662"},{"product_id":"o-dogma-da-nao-violencia","title":"The Dogma of Non-Violence","description":"\u003cp\u003e\u003cspan\u003e\"in times of such dizzying and profound changes (...), it is essential to collectively develop effective strategies of resistance and the construction of alternatives. And, to do this, it is necessary to lay to waste all impediments made of inertia, taboos and conformity.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e«Proponents of the exclusivity of non-violence as a means of protest and transformation, voluntarily tied to a position whose substratum is fundamentally moral, have actively contributed to eliminating, both from history and from social movements, an enormous repertoire of struggles, practices and experiences useful for the period we live in today and have, moreover, participated in the exclusion and criminalization of political subjects who differ from their methods. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs a consequence, they reveal themselves as agents who contribute more to the maintenance and reproduction of the system they claim to fight than as agents of its destruction.»\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e [«Preface», Diogo Duarte]\u003c\/span\u003e\u003c\/p\u003e","brand":"Snob","offers":[{"title":"Default Title","offer_id":50790112428298,"sku":"","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2729\/6266\/files\/6ea0912-123606-o-dogma-da-nao-violencia_rolando-d-alessandro.jpg?v=1740167256"},{"product_id":"em-baixo","title":"Below","description":"","brand":"Snob","offers":[{"title":"Default Title","offer_id":51010924118282,"sku":"","price":0.0,"currency_code":"EUR","in_stock":true}]},{"product_id":"de-genere","title":"Gender","description":"","brand":"Snob","offers":[{"title":"Default Title","offer_id":51010929885450,"sku":"","price":0.0,"currency_code":"EUR","in_stock":true}]},{"product_id":"vaca-preta","title":"Black Cow","description":"","brand":"Snob","offers":[{"title":"Default Title","offer_id":51010932769034,"sku":"","price":0.0,"currency_code":"EUR","in_stock":true}]},{"product_id":"escritor-fracassado","title":"Failed writer","description":"\u003cdiv class=\"wp-block-post-excerpt\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"entry-content wp-block-post-content is-layout-constrained wp-block-post-content-is-layout-constrained\"\u003e\n\n\u003cp\u003eThe second book we receive from Roberto Arlt. It proves that the short story can still be a privileged field for the “profane illumination” of the unknown\u003c\/p\u003e\n\n\u003cp\u003eGeorge Steiner tells us that one day, at the Frankfurt station, ten minutes before the train departed, he saw a small white-covered volume in a bookstall. Unable to decipher the author's name (Arlt), he opened the book and, at random, read: “The Language North of Future”. He thus missed the train for his first encounter with Paul Celan.\u003c\/p\u003e\n\n\u003cp\u003eRoberto Arlt (1900-1942), Argentine born in Buenos Aires, in the modest Flores neighborhood, is of that ilk. A failed inventor. A frequenter of prostitutes and all kinds of roughs. He is one of those responsible (or even the one responsible) for bringing to the Argentine literary salon hysteria, the exuberance of having so much to say, this possibility of men living inside the written language. Of “having hell inside”.\u003c\/p\u003e\n\n\u003cp\u003eFor those who are tired of poetic embroidery and prosaic good intentions, and who tirelessly wait for people who walk backwards, full of ideas that can only be shouted, to enter through the door of letters, this book of short stories is a buoy that, while not saving us from the inevitable drowning, keeps us afloat for a few more hours.\u003c\/p\u003e\n\n\u003cp\u003eAdapted \u003ca href=\"https:\/\/ionline.sapo.pt\/2018\/09\/20\/roberto-arlt-o-corpo-contra-a-literatura-parda\/\"\u003efrom here\u003c\/a\u003e.\u003c\/p\u003e\n\n\n\u003c\/div\u003e","brand":"Snob","offers":[{"title":"Default Title","offer_id":51010988704010,"sku":"","price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2729\/6266\/files\/79e98bd-224722-arlt-capa-escritor-fracassado_99c47364-543a-48e3-8b60-1ad0ea9b6ef6.png?v=1743965194"},{"product_id":"o-dia-do-gafanhoto","title":"The Grasshopper's Day","description":"","brand":"Snob","offers":[{"title":"Default Title","offer_id":51010990833930,"sku":"","price":0.0,"currency_code":"EUR","in_stock":true}]},{"product_id":"desvios","title":"Deviations","description":"","brand":"Snob","offers":[{"title":"Default Title","offer_id":51010995847434,"sku":"","price":0.0,"currency_code":"EUR","in_stock":true}]},{"product_id":"o-meu-suicidio","title":"My suicide","description":"\u003cp\u003eHenri Roorda Van Eysinga (1870-1925), who also wrote under the name Balthasar, was a mathematics teacher in his life as an ordinary Swiss citizen. And because, in addition to teaching, he liked to write, he did not only produce this final little book, which announces and explains his suicide. He also wrote essays on pedagogy and even plays, poetry and various occasional writings, which he himself called “almanac prose”. [...]\u003cbr\u003e“They say that the last to laugh is the one who laughs best. But that is probably false. The man who is the last to laugh will hardly laugh at all. His light laughter will be very little compared to the Homeric laughter of youth.” Thought extracted from his essay “Laughter and those who laugh”. 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There must be many of them. »\u003c\/em\u003e\u003c\/p\u003e","brand":"snob","offers":[{"title":"Default Title","offer_id":51010996830474,"sku":"","price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2729\/6266\/files\/05f7658-roorda-prevenda1.jpg?v=1743964191"},{"product_id":"cadernos-de-bernfried-jarvi","title":"Notebooks by Bernfried Jarvi","description":"\u003cp data-start=\"0\" data-end=\"1037\"\u003eA literary work marked by fragmentation and formal experimentation. The book presents itself as a collection of notes, reflections, and observations attributed to an enigmatic figure, Bernfried Jarvi, who functions more as an alter ego or literary construction than as a conventional character.\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"1037\"\u003eThe narrative does not follow a linear plot, but is organized into small blocks of text, ranging from aphorisms and diary entries to critical commentary. This structure allows the reader to explore the fluidity of thought and the ambiguities of memory.\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"1037\"\u003eThe result is an open text that challenges the reader's expectations and invites discontinuous reading. \u003c\/p\u003e\n\u003cp data-start=\"1039\" data-end=\"1717\"\u003eRui Manuel Amaral (b. 1973) is a Portuguese writer who has been establishing himself through the originality of his work, situated between fiction, chronicle, and essay. Throughout his life, he has published books that explore textual brevity, fragmented form, and the questioning of language itself. His writing is distinguished by a meticulous attention to the margins of everyday life, as well as by a refusal to adopt conventional narrative models.\u003c\/p\u003e\n\u003cp data-start=\"1039\" data-end=\"1717\"\u003eWith a relatively brief but already significant body of work, Rui Manuel Amaral has established himself as a singular voice in contemporary Portuguese literature, marked by experimentation and the search for new forms of expression.\u003c\/p\u003e","brand":"Snob","offers":[{"title":"Default Title","offer_id":51010998370570,"sku":"","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2729\/6266\/files\/9833.webp?v=1757344071"},{"product_id":"o-dia-do-gafanhoto-1","title":"The Grasshopper's Day","description":"\u003cp data-end=\"1088\" data-start=\"0\"\u003ePublished in 1939, it is one of the most ferocious and grotesque portraits of Hollywood ever written. Nathanael West strips away the veneer of the American Dream and reveals the machinery of a city built on illusions, frustrations, and latent violence.\u003c\/p\u003e\n\u003cp data-end=\"1088\" data-start=\"0\"\u003eThe characters who populate the novel—mediocre extras, failed artists, invisible technicians—are creatures crushed by a system that sells promises of glory but delivers misery and despair.\u003c\/p\u003e\n\u003cp data-end=\"1088\" data-start=\"0\"\u003eThe narrative follows Todd Hackett, a young set designer who observes, with a mixture of fascination and revulsion, the decline of those living on the margins of the great entertainment industry.\u003c\/p\u003e\n\u003cp data-end=\"1088\" data-start=\"0\"\u003eThe book is not merely social criticism. It is a merciless, almost apocalyptic satire in which Hollywood appears as an anthill poised to explode in collective hysteria. The title, \u003cem data-end=\"831\" data-start=\"811\"\u003eThe Day of the Locust\u003c\/em\u003e, alludes precisely to this invasion of hungry, anonymous, and violent bodies that reduce the dream to dust.\u003c\/p\u003e\n\u003cp data-end=\"1575\" data-start=\"729\"\u003e\u003cstrong\u003eNathanael West (1903–1940)\u003c\/strong\u003e\u003cspan\u003e was an American writer and screenwriter whose brief but intense body of work became a benchmark for the satirical and disillusioned literature of the 20th century. Author of only four novels, including \u003c\/span\u003e\u003cem data-end=\"1339\" data-start=\"1320\"\u003eMiss Lonelyhearts\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem data-end=\"1362\" data-start=\"1342\"\u003eThe Day of the Locust\u003c\/em\u003e\u003cspan\u003e, he constructed a corrosive vision of American society, exposing the cruelty of success and the fragility of those who live on illusions. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"1575\" data-start=\"729\"\u003eTo survive, he wrote screenplays in Hollywood between 1936 and 1940, in an industry he himself despised but which paid the bills. Before that, he had managed hotels in New York, where he even offered free rooms to writers he liked, simply to enjoy their company. A hardly profitable strategy, but a literarily convenient one.\u003c\/p\u003e\n\u003cp data-end=\"1575\" data-start=\"729\"\u003e\u003cspan\u003eWest devoted himself to parodying Western civilization with poisoned humor and touches of surrealism, shaped by the misery and despair of the Great Depression. He gave \"words\" to human degradation, impotence, and loneliness, creating characters so tragic that they almost become comical. Or is it the other way around?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"1575\" data-start=\"729\"\u003e\u003cspan\u003eHis life ended abruptly on December 22, 1940, in a car accident. Beside him died his new wife, Eileen McKenny, whose life had inspired the popular play \u003cem data-end=\"1481\" data-start=\"1463\"\u003eMy Sister Eileen\u003c\/em\u003e. Until his end, he had the bitter taste of tragedy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"1575\" data-start=\"729\"\u003e\u003cspan\u003eAlthough Nathanael West's fiction received some isolated praise from critics, the public completely ignored him. Supreme irony: after his death, academics and writers began to revere him as one of the great satirists of the 20th century. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"1575\" data-start=\"729\"\u003e\u003cspan\u003eHe left a short body of work. It continues to echo, because of the timeliness of its disillusionment.\u003c\/span\u003e\u003c\/p\u003e","brand":"Snob","offers":[{"title":"Default Title","offer_id":51783425392906,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2729\/6266\/files\/6553.webp?v=1757782996"},{"product_id":"zov","title":"Zov","description":"\u003cp\u003eAfter\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCadernos de Bernfried Jarvi\u003c\/em\u003e, \u003cem\u003eZOV\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eA book that takes us on a journey without a map, chaotic and subversive, with anything that looks like a stage in the background and a few characters on stage. But do not be fooled by this description, this is a book that does not fit anywhere, a whirlwind of a read, a literary earthquake.\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e« A riddle: what is better than God, worse than the devil... that the dead do not eat… [Hesitates.] No, that the dead eat… [Hesitates again.] Yes, that the dead eat… And that the living... [Makes an effort to remember.] How was it? And if the living eat… And if the living eat, they die? Is that it? I forgot. Well, everyone knows the answer: it is Nothing. »\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRui Manuel Amaral (b. 1973)\u003c\/strong\u003e is a Portuguese writer who has been establishing himself through the originality of his work, situated between fiction, chronicle, and essay. Throughout his life, he has published books that explore textual brevity, the fragmented register, and the questioning of language itself. 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