{"title":"Hélia Correia","description":"\u003cp\u003e\u003cspan\u003eHélia Correia was born in Lisbon. With a degree in Romance Philology, she taught at secondary school. A poet and playwright, it was as a fiction writer that Hélia Correia emerged as one of the most important and original names of the 1980s, when she published O Separar das Águas in 1981. Novels followed such as Montedemo, Casa Eterna (Prémio Máxima de Literatura, 2000), Insânia, Bastardia (Prémio Máxima de Literatura, 2006), Adoecer (Prémio Fundação Inês de Castro, 2010) and Um Bailarino na Batalha (APE\/DGLAB Grand Prize for the Novel, 2018).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn poetry, she has contributed widely to anthologies and newspapers and has published works such as A Pequena Morte\/Esse Eterno Canto (a diptych with Jaime Rocha), Apodera-te de Mim, A Terceira Miséria (PEN Club Poetry Prize, 2012, and Prémio Correntes d'Escritas, 2013) and Acidentes (PEN Club Poetry Prize, 2021).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHer writing for the theatre has favoured the Greek classics, notably Perdição, Exercício sobre Antígona, O Rancor, Exercício sobre Helena and Desmesura, Exercício com Medeia.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFor children, highlights include the books in the Mopsos, o Pequeno Grego series, Ouro de Delfos and A Coroa de Olímpia. Also worth mentioning are her versions of Shakespeare, Sonho de Uma Noite de Verão (children's version) and A Ilha Encantada (a children's version of The Tempest), as well as A Chegada de Twainy (2011) and A Luz de Newton (2015).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAmong the many prizes she has received, the most notable is the Camões Prize (2015).\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"acidentes","title":"Accidents","description":"\u003cp class=\"p2\"\u003e\u003cspan\u003eA poetry book published eight years after \u003c\/span\u003e\u003ci\u003eA Terceira Miséria\u003c\/i\u003e\u003cspan\u003e. It brings together thirty-five poems by the author.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cem\u003e«I read the disillusionment and despondency of Hélia Correia in “Acidentes” and followed her as far as I could: underlining the flaying of words, the work of men who subject them to the ridiculous.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cem\u003e “Let fall, let fall a word,\/and another, and another,\/the bones of the banquet,\/so that I may cast them and pick them up with my mouth,\/(...)” and, in “Distracção,” the continuous and murderous thinning of Nature in harmony with the idea “(...) of that thing they call utopia\/because it has no place in nature,\/and which, for lack of roots, does not last\/much longer than a luminous insect.(...)”; and Hélia Correia returns once again to the word to warn us that poetry has a long-standing (addictive) relationship with metaphors, turning wolves into the cliché image of evil. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cem\u003eBut “(...) They will kill\/only because there is a thought,\/like a tumor,\/in that which constitutes them. (...)”; the distrust of science creates a poetic attitude of fusion with it, since “once the founding astonishment has passed,” everything is possible because the Masters, humanity, have tamed everything, drawn everything on maps, brought everything home, and equally drawn the extermination. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cem\u003eIf everything has been unveiled, will there then be room for poetry? “When the time comes, everything that separated\/science and poetry will cease\/to exist on earth.” The mystery of breathing, by Hélia Correia’s hand, has always been a mystery. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cem\u003eThe lungs that pulse with life, the transformation of air in the body, cannot be explained by the movement of cells and blood. Only through poetry can this pulsing, this vital transformation, be felt.» \u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cem\u003ein \u003c\/em\u003e\u003ca href=\"https:\/\/derivadaspalavras.blogspot.com\/2020\/12\/acidente-de-helia-correia.html\"\u003eDeriva das Palavras: “Acidentes,” by Hélia Correia\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eHélia Correia (1949) \u003c\/strong\u003eis a contemporary Portuguese writer. She holds a degree in Romance Philology and is a secondary school Portuguese teacher. Despite her love of poetry, it is as a fiction writer that she is recognized as one of the revelations of Portuguese novella writing from the generation of 1980, although her short stories, novellas, or novels are always imbued with poetic discourse.\u003c\/span\u003e\u003c\/p\u003e","brand":"Relógio D'Água","offers":[{"title":"Default Title","offer_id":52332081840394,"sku":"2026-MDT-LVR-30","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2729\/6266\/files\/Acidentes.webp?v=1767098859"},{"product_id":"o-separar-das-aguas","title":"The parting of the waters","description":"\u003cp\u003e\u003cspan\u003ePublished in 1981, \"O Separar das Águas\" was the author's first published book. \"Villa Celeste\" was published in 1985. With \"Soma\", from 1987, Hélia Correia approached a different social milieu, younger and with urban language.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAll three are in this book.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt would be good if the Camões Prize, which was awarded to her in 2015, contributed to drawing attention to the work of Hélia Correia, an author averse to the spotlight and one of the great voices of contemporary Portuguese literature.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHélia Correia (1949) \u003c\/strong\u003e\u003cspan\u003eis a contemporary Portuguese writer. She graduated in Romance Philology and is a secondary school Portuguese teacher. Despite her love of poetry, it is as a fiction writer that she is recognized as one of the revelations of Portuguese fiction of the 1980s generation, although her short stories, novellas, or novels are always imbued with poetic discourse.\u003c\/span\u003e\u003c\/p\u003e","brand":"Relógio D'Água","offers":[{"title":"Default Title","offer_id":52332120310026,"sku":"2026-MDT-LVR-167","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2729\/6266\/files\/9789896415464.webp?v=1767099128"},{"product_id":"certas-raizes","title":"Certain roots","description":"\u003cp\u003e“The centuries passed over the village like birds, leaving their droppings. The centuries passed, dissolving the shadows of gallows, and sanitizing, and spreading their factory smoke over the landscape. For two generations, there was a certain radiance, that which they called progress, that is, The way forward, as if such a direction existed.”\u003c\/p\u003e\n\u003cp\u003eThen the factory closed, the river dried up, and the bird of the century ended up delivering a monthly payment to people’s homes that was neither earnings nor income. It was a ghost that had everyone’s gratitude. For the winds of the time did not let them starve, although some died, in the mountains, of cold.\u003c\/p\u003e\n\u003cp\u003eThey were not all old, but what they had in common was their indifference to tribal pleasures, to drinks, to raucous games. Some painted the rainbow in the chapel because they supposed that sexualizing such a place would make them enthusiastic, dancing with great obscene effusions. But it was asking too much of feelings. There was no longer faith for blasphemies. The chapel kept its altar, which served as a counter for the beers whose old taste they had grown to dislike. They quickly grew tired of it.” [From “Certain Roots”]\u003c\/p\u003e\n\u003cp\u003eIt would be good if the Camões Prize, which was awarded to her in 2015, contributed to drawing attention to the work of Hélia Correia, an author averse to the spotlight and one of the great voices of contemporary Portuguese literature.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHélia Correia (1949)\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eis a contemporary Portuguese writer. She graduated in Romance Philology and is a secondary school Portuguese teacher. Despite her taste for poetry, it is as a fiction writer that she is recognized as one of the revelations of Portuguese novella writing of the 1980s generation, although her short stories, novellas, or novels are always imbued with poetic discourse.\u003c\/span\u003e\u003c\/p\u003e","brand":"Relógio D'Água","offers":[{"title":"Default Title","offer_id":52332131287306,"sku":"2026-MDT-LVR-69","price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2729\/6266\/files\/9789897834103.webp?v=1767099673"},{"product_id":"o-numero-dos-vivos","title":"The number of the living","description":"\u003cp\u003eThe re-establishment of a literary heritage that imposes a certain linearity on Romance writing, combined with the incorporation of elements of contemporary narrative ranging from García Márquez and Carpentier to the novellas of Agustina Bessa-Luís, with a tendency to surprise the reader with the supernatural in the everyday life of provincial and bourgeois society, or to bring into Romance writing the realm in which the social dimension of human relationships intersects with religiosity, superstition and even the irrational.\u003c\/p\u003e\n\u003cp\u003eShe made her debut in poetry in 1981 with \"O Separar das Águas\". \"O Número dos Vivos\" followed in 1982. The novella \"Montedemo\", staged by the group O Bando, brought the author a certain notoriety. In fact, Hélia Correia revealed early on her taste for theatre and classical Greece, which led her to perform in Oedipus Rex and to write \"Perdição\", both staged in 1993 by Comuna. \u003c\/p\u003e\n\u003cp\u003eShe also wrote \"Florbela\" in 1991, which was later staged by the group Maizum. Her novels \"Casa Eterna\" and \"Soma\", and her poetry collection \"A Pequena Morte\/Esse Eterno Conto\", also stand out in her body of work.\u003c\/p\u003e\n\u003cp\u003eIn 2002, she received the 2001 PEN Prize for fiction for her work Lillias Fraser, and in 2006 the Máxima Literature Prize for her work Bastardia.\u003c\/p\u003e\n\u003cp\u003eIt would be good if the Camões Prize, awarded to her in 2015, helped draw attention to the work of Hélia Correia, an author who shuns the spotlight and one of the great voices of contemporary Portuguese literature.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHélia Correia (1949)\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eis a contemporary Portuguese writer. She holds a degree in Romance Philology and is a secondary school Portuguese teacher. Despite her taste for poetry, she is recognised as a fiction writer and one of the revelations of the 1980s generation of Portuguese novellists, although her short stories, novellas and novels are always imbued with poetic discourse.\u003c\/span\u003e\u003c\/p\u003e","brand":"Relógio D'Água","offers":[{"title":"Default Title","offer_id":52332143837450,"sku":"2026-MDT-LVR-161","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2729\/6266\/files\/9789727083589.webp?v=1767100069"},{"product_id":"adoecer","title":"Sweeten","description":"\u003cp\u003e\u003cspan\u003e“There was in her something like a flaw that perhaps came from exhaustion and malnutrition, giving her a furtive, gazelle-like air that made the presentations fall away.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLizzie went behind the abandoned door that served as a screen and returned dressed as a boy. She had gathered her hair at the nape of her neck. She showed her legs, and this produced a curious asexual effect. Gabriel stepped forward and began to attend to the missing figure, not on the sketch papers, but on the canvas. The male figures were already very advanced. He had posed for the fool. The Pre-Raphaelites created situations of mutual assistance in which there was, alongside exhibition, sincerity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDeverell and Millais cooled, standing still and losing enthusiasm. They saw in Lizzie the thin girl with irregular features whom they had not seen until then. Walter’s narrative, which had overwhelmed the narrator himself, ceased to exert its influence, and the temperature of their bodies suffered. They rubbed their arms, realizing the full ruthlessness of Winter. They watched Rossetti and Miss Sid, who were alone in what was perhaps the painter’s meeting with the model. Yet they felt discomfort, as if they were witnessing an intimate scene.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLizzie, who had held the position without wavering in the previous days, arched her back, leaning toward the ground. It was a powerful slump beneath which there circulated some glory. John Everett Millais understood the origin of Miss Sid’s fascination. She had a body sealed in tragedy, a sacrificial appetite. “I shall paint this woman,” he thought. He imagined her in a setting of daffodils. He did not know that he was looking at her dead. »\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt would be good if the Camões Prize, awarded to her in 2015, helped draw attention to the work of Hélia Correia, an author averse to the spotlight and one of the great voices of contemporary Portuguese literature.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHélia Correia (1949)\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eis a contemporary Portuguese writer. She holds a degree in Romance Philology and is a secondary school Portuguese teacher. Despite her taste for poetry, she is recognized as a fiction writer and one of the revelations of the Portuguese novella generation of the 1980s, although her short stories, novellas, or novels are always imbued with poetic discourse.\u003c\/span\u003e\u003c\/p\u003e","brand":"Relógio D'Água","offers":[{"title":"Default Title","offer_id":52332149309706,"sku":"2026-MDT-LVR-31","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2729\/6266\/files\/9789896411602.webp?v=1767100562"},{"product_id":"vinte-degraus","title":"Twenty steps","description":"\u003cp\u003eEleven short stories. Some of them, as the author explains in a note, contain recognisable references.\u003c\/p\u003e\n\u003cp\u003e “Seroda” is another story by Mariana Cruz, from Amor de Perdição, and “Captura” is “another perspective on Clarice Lispector’s “A Imitação da Rosa”.”\u003c\/p\u003e\n\u003cp\u003e“Uma Noite em Luddenden” evokes Branwell Brontë. “Hélder e Djalme” are names taken from real people. “A Dama Singular” is dedicated to a woman who has had a major influence on Portuguese literature.\u003c\/p\u003e\n\u003cp\u003eIt would be good if the Camões Prize, which she was awarded in 2015, helped to draw attention to the work of Hélia Correia, an author who shuns the spotlight and one of the leading voices in contemporary Portuguese literature.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHélia Correia (1949)\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eis a contemporary Portuguese writer. She holds a degree in Romance Philology and is a secondary school Portuguese teacher. Despite her love of poetry, she is recognised as a fiction writer and one of the leading figures of the 1980s generation of Portuguese short-story writers, although her short stories, novellas and novels are always imbued with poetic language.\u003c\/span\u003e\u003c\/p\u003e","brand":"Relógio D'Água","offers":[{"title":"Default Title","offer_id":52332157927690,"sku":"2026-MDT-LVR-227","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2729\/6266\/files\/9789896414276.webp?v=1767100677"},{"product_id":"bastardia","title":"Bastardy","description":"\u003cp\u003e“Moses felt the strange stirring that had unsettled his uncles. In the kitchen, the women returned to the silence with which they had initially received him. And the conversations in the stables, with the days being so short, were becoming more hurried.”\u003c\/p\u003e\n\u003cp\u003eHe could hardly get the customers to talk about the sea. However, he had already grown accustomed to feeding on his own thoughts. He imagined the day he would meet that great blue expanse, stretching out like a meadow in bloom. The obsession had taken hold of him as if someone had kidnapped him.\u003c\/p\u003e\n\u003cp\u003eEverything he saw and heard was filtered, framed by his own perspective. He trusted that his uncles would take him to Vieira sooner or later. He did not think that, with that kind of work, they did not enjoy the pleasures of summer, when the demand for horses and open carriages was at its peak.»\u003c\/p\u003e\n\u003cp\u003eIt would be good if the Camões Prize, awarded to her in 2015, helped draw attention to the work of Hélia Correia, an author who shuns the spotlight and one of the great voices of contemporary Portuguese literature.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHélia Correia (1949)\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eis a contemporary Portuguese writer. She holds a degree in Romance Philology and is a secondary school Portuguese teacher. Despite her love of poetry, she is recognized as a fiction writer and one of the leading figures of the 1980s generation of Portuguese novelists, although her short stories, novellas, and novels are always imbued with poetic language.\u003c\/span\u003e\u003c\/p\u003e","brand":"Relógio D'Água","offers":[{"title":"Default Title","offer_id":52332166807818,"sku":"2026-MDT-LVR-51","price":11.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2729\/6266\/files\/9789727088348.webp?v=1767101193"},{"product_id":"fascinacao","title":"Fascination","description":"\u003cp\u003e\u003cspan\u003e“God prevented the brothers from meeting, lest they should come to love one another.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAt times they were close, so close in their racing through the woods that their horses reared up and struck their forehooves into the empty air. And empty air, indeed. For the Lord sent his legions of angels to thin the air with their wings, making the place no man’s land. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt times the deepest darkness fell between them, and yet it was noon. Far off, the Goat-Footed Lady stretched out her black lips and howled. But she could not compete.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt is hoped that the Camões Prize, awarded to her in 2015, will help draw attention to the work of Hélia Correia, a reclusive author and one of the leading voices in contemporary Portuguese literature.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHélia Correia (1949)\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eis a contemporary Portuguese writer. She holds a degree in Romance Philology and is a secondary school Portuguese teacher. Despite her love of poetry, she is recognised as a fiction writer and one of the most promising novelists of the 1980s generation in Portugal, although her short stories, novellas and novels are always imbued with poetic language.\u003c\/span\u003e\u003c\/p\u003e","brand":"Relógio D'Água","offers":[{"title":"Default Title","offer_id":52332234375434,"sku":"2026-MDT-LVR-102","price":11.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2729\/6266\/files\/9789727088041.webp?v=1767101365"},{"product_id":"o-inventor-de-vendavais","title":"The Storm Maker","description":"\u003cp\u003e\u003cspan\u003e“The figure was a tree. But a very special tree. It was a black tree, very black, dark, hard and cold as iron. But there were patches where the black had come off, as if scraped by some scratches. You could see that there was an extraordinary brightness inside it, a very restless golden light, which made the sound of something boiling. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt must have been a very powerful light, with its colour so strong that sometimes it turned red. But, whatever it was, it was not happy at all. It beat against the trunk and the fingers made a metallic noise.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt would be good if the Camões Prize, awarded to her in 2015, helped draw attention to the work of Hélia Correia, an author who dislikes the spotlight and one of the great voices of contemporary Portuguese literature.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHélia Correia (1949)\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eis a contemporary Portuguese writer. She holds a degree in Romance Philology and is a secondary school Portuguese teacher. Despite her love of poetry, she is recognised as a fiction writer and one of the revelations of the 1980s generation of Portuguese novelists, although her short stories, novellas or novels are always imbued with poetic discourse.\u003c\/span\u003e\u003c\/p\u003e","brand":"Relógio D'Água","offers":[{"title":"Default Title","offer_id":52332240863498,"sku":"2026-MDT-LVR-155","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2729\/6266\/files\/Captura-de-ecra-2021-11-19-as-4.43.09-PM.webp?v=1767101545"},{"product_id":"a-luz-de-newton","title":"Newton's light","description":"\u003cp\u003e“Red slammed the book shut. And glared sternly at Yellow. The other colours all around them sighed. You could guess it was an awkward moment. I’ll go further: a tense moment. I’ll go further still: a combative moment.”\u003c\/p\u003e\n\u003cp\u003eLittle Yellow tried to cross his legs to make his position more stable, but he had no knees to bend. The colours looked at Red, waiting. He had been chosen to represent them. And Red was very, very red with rage: “We are waiting for an explanation.”\u003c\/p\u003e\n\u003cp\u003e“Explanation…” Little Yellow repeated, stalling for time. “Explanation of what?”\u003c\/p\u003e\n\u003cp\u003eThe colours cleared their throats and fidgeted. They even started whispering. But Red asserted his authority.\u003c\/p\u003e\n\u003cp\u003e“Don’t play dumb. You know perfectly well.”\u003c\/p\u003e\n\u003cp\u003eHe pulled a very thin book from a bag and brandished it before them all, as if he were presenting evidence in a courtroom scene from a film.\u003c\/p\u003e\n\u003cp\u003e“Newton’s Light, first edition. The seven colours of the rainbow: that’s us.\u003cbr\u003eYes, that’s all of us,” said Liliana.\u003cbr\u003e“And we occupy,” Green added, “practically the same space, each of us.”\u003c\/p\u003e\n\u003cp\u003eIt would be good if the Camões Prize, awarded to it in 2015, helped draw attention to the work of Hélia Correia, a reclusive author who shuns the spotlight and one of the leading voices in contemporary Portuguese literature.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHélia Correia (1949)\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eis a contemporary Portuguese writer. She holds a degree in Romance Philology and is a secondary school Portuguese teacher. Despite her love of poetry, she is recognised as a fiction writer and one of the most exciting new voices in Portuguese fiction from the 1980s generation, although her short stories, novellas and novels are always imbued with poetic language.\u003c\/span\u003e\u003c\/p\u003e","brand":"Relógio D'Água","offers":[{"title":"Default Title","offer_id":52332247712010,"sku":"2026-MDT-LVR-19","price":15.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2729\/6266\/files\/9789896415747.webp?v=1767101618"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2729\/6266\/collections\/OIP_1c3b9271-adfd-4e11-ac88-30c64c92af86.webp?v=1767106949","url":"https:\/\/www.malditalivraria.com\/en\/collections\/helia-correia.oembed","provider":"Maldita Livraria","version":"1.0","type":"link"}