{"title":"Only rags get old","description":"\u003cp\u003eHere you'll find a lot from the glorious 90s. Maybe because we are stepchildren of that crazy decade when anything was possible. Any one of them is probably out of print, if not in every bookshop, then in most: they were never reprinted, or their authors gave up writing. Some have died. Others haven't. Fortunately.\u003c\/p\u003e\n\u003cp\u003eWe only bring here books that have never been read (or almost). You'll be the first (or almost) to open the first page. Some have dedications, autographs, drawings by the authors. We don't change the price for that. Some are absolutely new. But since they're more than 20 years old, they may show a few signs of age. Who doesn't?\u003c\/p\u003e","products":[{"product_id":"quatro-entrevistas-com-george-steiner","title":"Four Interviews with George Steiner","description":"\u003cp data-start=\"97\" data-end=\"566\"\u003eThe book \u003cem data-start=\"105\" data-end=\"144\"\u003eFour Interviews with George Steiner\u003c\/em\u003e is a deep dive into the mind of one of the 20th century's most brilliant intellectuals. A philosopher, literary critic, and essayist, Steiner always had a keen eye for culture, language, and literature.\u003c\/p\u003e\n\u003cp data-start=\"97\" data-end=\"566\"\u003eIn this book, ideas come to life through thought-provoking conversations, in which he reflects on themes such as the relationship between power and knowledge, the importance of literary tradition, and the challenges of modernity.\u003c\/p\u003e\n\u003cp data-start=\"568\" data-end=\"934\"\u003eThroughout the interviews, Steiner discusses the centrality of language in the construction of human thought, addressing everything from the classics of literature to the cultural transformations of the contemporary world. At once sophisticated and accessible, it allows the reader to follow his reflections clearly, even when he addresses complex concepts.\u003c\/p\u003e\n\u003cp data-start=\"936\" data-end=\"1358\"\u003eWhat makes \u003cem data-start=\"976\" data-end=\"1015\"\u003eFour Interviews with George Steiner\u003c\/em\u003e special is his evident passion for knowledge. Each answer is a lesson, full of philosophical and literary references, but also of a critical view on the role of culture in society.\u003c\/p\u003e\n\u003cp data-start=\"936\" data-end=\"1358\"\u003eFor Steiner, reading and interpreting texts is not just an intellectual exercise, but an essential act for understanding the human condition.\u003c\/p\u003e\n\u003cp data-start=\"1360\" data-end=\"1630\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eAn essential book for anyone interested. To feel challenged and inspired, reminded of the importance of deep thought in an increasingly superficial world.\u003c\/p\u003e","brand":"VS Editores","offers":[{"title":"Default Title","offer_id":50837243789578,"sku":"","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2729\/6266\/files\/500x_f65bb92d-8c8b-40f9-accb-468f51d88364.jpg?v=1742577252"},{"product_id":"a-ideia-de-europa","title":"The idea of Europe","description":"","brand":"Relógio D'Água","offers":[{"title":"Default Title","offer_id":51010905932042,"sku":"","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2729\/6266\/files\/Screen-Shot-2017-02-02-at-16.11.48.webp?v=1757344342"},{"product_id":"homens-aranhas","title":"Spider-Men","description":"\u003cp data-end=\"631\" data-start=\"72\"\u003eAn urban fable that exposes, with dark irony and precision, human fragility in a world where fear has become routine. The story follows a group of men threatened by everyday life, by the city, and by themselves. The absurd sets in slowly, like a news story that is all too plausible.\u003c\/p\u003e\n\u003cp data-end=\"1242\" data-start=\"633\"\u003eThe novel acts as a mirror for a society living between panic and indifference, between the desire to disappear and the desire to be seen.\u003c\/p\u003e\n\u003cp style=\"text-align: right;\" data-end=\"1242\" data-start=\"633\"\u003e\u003cem\u003e“When reality starts to look like a cartoon, the only sensible thing to do is learn to walk on the walls,” \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-end=\"1242\" data-start=\"633\"\u003eA serious satire about emotional, political, and social precariousness.\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cem\u003e\"Today I woke up in a good mood. It took me only half an hour to get out of bed. I had breakfast on the street and went to work. I faced some pretty difficult tests. Popping balloons. An endless number of balloons. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cem\u003eI traveled a lot, a little bit across all the continents, armed with nothing but a spear, or, alternatively, a dart gun with which I eliminated the balloons, one by one. Pop! I couldn't let them touch me – they were toxic balloons, or poisonous, or something like that. Every time they touched me, I died, and I only had three lives, so I couldn't let them touch me. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cem\u003eThe hardest country was perhaps Denmark, because of the snow that fell at the same time as the balloons, blending in with them. It was a blood-curdling thrill: I never knew whether what was touching me was a lethal balloon or just a harmless snowflake.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-end=\"1256\" data-start=\"1244\"\u003eRui Zink\u003c\/strong\u003e, born in Lisbon in 1961, is one of the most singular voices in contemporary Portuguese literature. A writer, teacher, and intellectual provocateur, he has built a body of work marked by irony, social criticism, and a rare ability to transform the everyday into revealing absurdity.\u003c\/p\u003e\n\u003cp\u003eIn books such as O Destino Turístico, A Instalação do medo, or Hotel Lusitano, he explores the tension between fantasy and reality: humor as a sharp form of thought. In Homens-Aranhas, this tension reaches one of its most luminous points: a novel that amuses in order to hurt.\u003c\/p\u003e","brand":"Relógio D'Água","offers":[{"title":"Default Title","offer_id":52131388719370,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2729\/6266\/files\/homens-aranhas.jpg?v=1763375747"},{"product_id":"vermelho","title":"Red","description":"\u003cp\u003e\u003cspan\u003eMafalda Ivo Cruz’s work is made of books that are written as if she were painting, sculpting, or drawing the notes she needs to hear from an instrument. Literature that contains within it painting, vivid images that leap from the pages and throw themselves into our eyes. Narrative, however dissolved, that casts sounds (and silences) to wound inner ears, and that sometimes dances in a libertine wildness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA common thread through all the works: an idea of family at the center. A poetic solution to a misunderstanding. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn \"Vermelho\", we have Tito, who lives in a Lisbon shantytown from which the sea can be glimpsed. We have Nina, the woman, pregnant, who paints the wall of the shack turquoise blue. And Lena, another woman, the missing vertex in an architecture structured around trios.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMay 13, 2004 (Jornal Público): \u003cem\u003eThe announcement was made yesterday afternoon: \"Vermelho\", by Mafalda Ivo Cruz, 45 years old, is the winning work of the Grande Prémio de Romance e Novela 2003 of the Portuguese Association of Writers (APE), the largest and most prestigious distinction for literature in Portugal.It was not a unanimous choice - one of the jury members, Maria Isabel Barreno, voted for \"Os Papéis de K\", by Manuel António Pina (Assírio \u0026amp; Alvim). But Margarida Braga Neves, Eduardo Prado Coelho, José Carlos Seabra Pereira, Júlio Moreira and José Correia Tavares formed the majority that saw the writer’s fourth published work awarded, her most referential, crafted and dense narrative, perhaps the most difficult, but also one of the most brilliant - the moment of consummation of a deeply original and intense universe and voice. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong data-start=\"1063\" data-end=\"1083\"\u003eMafalda Ivo Cruz\u003c\/strong\u003e is Portuguese, a writer, translator and essayist. Her work is distinguished by the search for an emotional truth. In \u003cem data-start=\"1305\" data-end=\"1321\"\u003ePequena Europa\u003c\/em\u003e, she confirms herself as one of the most elegant and intense voices in contemporary Portuguese literature. She is the author of Um Requiem Português (1995), A Casa do Diabo (2000), O Rapaz de Botticelli (2002, Pen Club Fiction Award), Vermelho (2003, Grande Prémio de Romance e Novela da APE 2004), Emma (2004) and Oz (2006).\u003c\/span\u003e\u003c\/p\u003e","brand":"D. Quixote","offers":[{"title":"Default Title","offer_id":52132150345994,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2729\/6266\/files\/Vermelho-Mafalda-Ivo-Cruz.jpg?v=1779400555"},{"product_id":"dadiva-divina","title":"Divine gift","description":"\u003cp\u003eThe journey of Samuel Espinosa, a New York detective living in New York who, according to the author, is a tribute to the philosopher of the same name, grandson of Portuguese people and living most of the time in Amsterdam, where his grandfather had to emigrate due to the expulsion of the Jews from Portugal.\u003c\/p\u003e\n\u003cp\u003eAs a good New Yorker, he added, Samuel Espinosa \"doesn't believe in anything, curiously finding himself looking for Jesus although without knowing it\", he added.\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cem\u003e(…) I will continue immersed in this traveling adventure of detective flavor, with detective and everything, seasoned (and not overseasoned, as is sometimes the author's trademark on TV) by the peculiar and sober irony of Rui Zink, where popular wit coexists with cultured allusions without exhibitionism. Subtle humor, which marks or cuts through a plot of spirituality (parodic), love and other enigmas.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-end=\"1256\" data-start=\"1244\"\u003eRui Zink\u003c\/strong\u003e, born in Lisbon in 1961, is one of the most unique voices in contemporary Portuguese literature. Writer, professor and intellectual provocateur, he built a body of work marked by irony, social criticism and the rare ability to transform everyday life into revealing absurdity.\u003c\/p\u003e\n\u003cp\u003eIn books such as O Destino Turístico, A Instalação do medo or Hotel Lusitano, he explores the tension between fantasy and reality: humor as a sharp form of thought. \u003c\/p\u003e","brand":"D. Quixote","offers":[{"title":"Default Title","offer_id":52132399907082,"sku":"2026-MDT-VST-23","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2729\/6266\/files\/dadiva.jpg?v=1763388494"},{"product_id":"as-minhas-aventuras-na-republica-portuguesa","title":"My adventures in the Portuguese Republic","description":"\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-(--header-height)\" dir=\"auto\" data-turn-id=\"438b61e6-7b35-48c3-8ccb-e23caad5552b\" data-testid=\"conversation-turn-1\" data-scroll-anchor=\"false\" data-turn=\"user\" tabindex=\"-1\"\u003e\u003c\/article\u003e\n\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:a9ca2421-e477-4927-b02f-c43006c2d515-1\" data-testid=\"conversation-turn-4\" data-scroll-anchor=\"false\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:--spacing(4)] thread-sm:[--thread-content-margin:--spacing(6)] thread-lg:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\n\u003cdiv class=\"[--thread-content-max-width:40rem] thread-lg:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"0f456f93-0bd3-4146-be6d-2abec1d9b398\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-1\"\u003e\n\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\n\u003cdiv class=\"markdown prose dark:prose-invert w-full break-words dark markdown-new-styling\"\u003e\n\n\u003cp data-start=\"0\" data-end=\"1015\"\u003e2006. Out of print in other bookstores.\u003c\/p\u003e\n\n\u003cp data-start=\"0\" data-end=\"1015\"\u003eThe experience of the author, Miguel Esteves Cardoso, during the years that followed April 25, 1974, the Carnation Revolution, which overthrew the Estado Novo dictatorship in Portugal.\u003c\/p\u003e\n\n\u003cp data-start=\"0\" data-end=\"1015\"\u003eThe book combines personal memories with a critical analysis of post-revolutionary Portuguese society. A satirical and detached view of the political and cultural changes the country was undergoing. Cardoso writes about his experience of the nascent democracy, the illusions and disillusionments of the new Republic, and the clashes of everyday life with a keen eye for the most contradictory aspects of Portuguese society.\u003c\/p\u003e\n\n\u003cp data-start=\"0\" data-end=\"1015\"\u003eWith humor, irony, and a good dose of sarcasm, the author manages to uniquely illustrate the complexities of a country in the midst of a profound transformation, while examining the dilemmas and perplexities of the individual in the face of major historical changes.\u003c\/p\u003e\n\n\u003cp data-start=\"0\" data-end=\"1015\"\u003eUnmissable.\u003c\/p\u003e\n\n\u003cp data-start=\"1017\" data-end=\"1839\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cspan\u003e\u003cstrong\u003eMiguel Esteves Cardoso (b. 1955) \u003c\/strong\u003eis a writer, columnist, and a prominent figure in Portuguese culture since the 1980s. He studied Economics, translated, wrote for various newspapers and magazines, and authored some of the most influential columns in the Portuguese press. His body of work, which includes books such as \u003cem data-end=\"1404\" data-start=\"1387\"\u003eO Amor é Fodido\u003c\/em\u003e, \u003cem data-end=\"1426\" data-start=\"1406\"\u003eA Causa das Coisas\u003c\/em\u003e and \u003cem data-end=\"1474\" data-start=\"1429\"\u003eAs Minhas Aventuras na República Portuguesa\u003c\/em\u003e, combines humor, sensitivity, and a remarkable capacity for observation. In recent years, his writing has become more refined. One of the great columnists of the present day.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003c\/article\u003e","brand":"Assírio e Alvim","offers":[{"title":"Default Title","offer_id":52137404694794,"sku":"2026-MDT-VST-22","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2729\/6266\/files\/asminhasaventurasnarepublicaportuguesa.jpg?v=1763463548"},{"product_id":"ultimo-volume","title":"Last volume","description":"\u003cp data-end=\"1092\" data-start=\"0\"\u003e2001. Out of print at other bookstores.\u003c\/p\u003e\n\u003cp data-end=\"1092\" data-start=\"0\"\u003eA book that brings together short texts, chronicles, and reflections revealing the literary and emotional maturity of one of the most singular authors in contemporary Portuguese writing. The apparent lightness of the format—short texts, often inspired by observations of everyday life—conceals a rare, almost surgical precision in the way the author contemplates love, time, friendship, and loss. \u003c\/p\u003e\n\u003cp data-end=\"1092\" data-start=\"0\"\u003eMEC writes with the simplicity of a highly attentive gaze that filters the world in search of what is essential. The tone is intimate without being obvious. Small mirrors in which every reader has the opportunity to recognize a particular form of melancholy or joy, with disarming honesty.\u003c\/p\u003e\n\u003cp data-end=\"1092\" data-start=\"0\"\u003eThis is a book about everyday life.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"1706\" data-start=\"1094\"\u003e\u003cspan\u003e\u003cstrong\u003eMiguel Esteves Cardoso (b. 1955) \u003c\/strong\u003eis a writer, columnist, and a prominent figure in Portuguese culture since the 1980s. He studied Economics, translated, wrote for various newspapers and magazines, and penned some of the most influential chronicles in the Portuguese press. His body of work, which includes books such as \u003cem data-start=\"1387\" data-end=\"1404\"\u003eO Amor é Fodido\u003c\/em\u003e, \u003cem data-start=\"1406\" data-end=\"1426\"\u003eA Causa das Coisas\u003c\/em\u003e and \u003cem data-start=\"1429\" data-end=\"1474\"\u003eAs Minhas Aventuras na República Portuguesa\u003c\/em\u003e, combines humor, sensitivity, and a remarkable capacity for observation. In recent years, his writing has become more refined. One of the great chroniclers of the present day.\u003c\/span\u003e\u003c\/p\u003e","brand":"Assírio e Alvim","offers":[{"title":"Default Title","offer_id":52137463054602,"sku":"2026-MDT-VST-21","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2729\/6266\/files\/Ultimovolume.jpg?v=1763465235"},{"product_id":"jose-vilhena","title":"José Vilhena (by Rui Zink)","description":"\u003cp\u003eThis album brings together works by José Vilhena scattered across the publications “A Gaiola Aberta”, “O Fala Barato”, “O Cavaco” and “O Moralista”, adding previously unpublished paintings.\u003c\/p\u003e\n\u003cp\u003eJosé Vilhena’s work reflects the ironic gaze he extended from the political arena to eroticism, sparing neither the contradictions of the dictatorship nor those of the post-April 25 period. The unauthorized biography of the years surrounding April 25 appeared fortnightly in “Gaiola Aberta”, while the normalization of the country gave way to the monthly publications “O Fala Barato”, “Cavaco” or “O Moralista”.\u003c\/p\u003e\n\u003cp\u003eTo the many satirical “cartoons”, the “José Vilhena” album adds, according to the publisher, “a book of painting and drawing”, featuring portraits “of the spirit and form, the form of the spirit and the spirit of form. And, of course, of women”.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJosé Vilhena (1927–2015) \u003c\/strong\u003ewas one of the most singular and irreverent figures in 20th-century Portuguese culture. A visual artist, illustrator, writer and humorist, he created a body of work marked by satire and social criticism during the era of censorship. His caricatures—immediate, incisive and deeply political—attacked moralism, authority and institutional hypocrisy, causing him successive problems with the Estado Novo regime.\u003c\/p\u003e\n\u003cp\u003eAt the same time, he published dozens of books and graphic humor magazines, many produced in an artisanal and clandestine manner, which became cult items. In his drawing, he cultivated an expressive and unpretentious line, capable of reducing a public figure to their most vulnerable or ridiculous trait.\u003c\/p\u003e\n\u003cp\u003eVilhena made satire a form of resistance and laughter an act of freedom. His work continues to be remembered for its courage, originality and the way it challenged the political and cultural conventions of its time.\u003c\/p\u003e","brand":"Editorial Notícias","offers":[{"title":"Default Title","offer_id":52137518792970,"sku":"2026-MDT-VST-20","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2729\/6266\/files\/300x_4303fb4e-77cb-4e7c-9c6b-861b6049b1ca.webp?v=1763466268"},{"product_id":"a-vida-inteira","title":"A whole life","description":"\u003cp data-end=\"667\" data-start=\"63\"\u003eA serene, luminous and deeply human celebration of love and everyday life. Chronicles in which the author transforms the simple domestic gesture, the banal object, the shared silence, into a space of revelation.\u003c\/p\u003e\n\u003cp style=\"text-align: right;\" data-end=\"667\" data-start=\"63\"\u003e\u003cem\u003e\"There is nothing that happens to me that does not become better by happening with you.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-end=\"667\" data-start=\"63\"\u003eFar from the irony of his early years, he writes with an adult tenderness, an absolute attention to the fragility of time lived together. A way of thanking the persistence of life in common.\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cem\u003e\"What I want is to praise pure love. \u003cbr\u003eIt seems to me that no one falls in love anymore. \u003cbr\u003eNo one wants to live an impossible love anymore. \u003cbr\u003eNo one accepts loving without a reason anymore.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eMiguel Esteves Cardoso (b. 1955) \u003c\/strong\u003eis a writer, columnist and a striking figure in Portuguese culture since the 1980s. He studied Economics, translated, wrote for various newspapers and magazines, and signed some of the most influential chronicles in the Portuguese press. His work, which includes books such as \u003cem data-end=\"1404\" data-start=\"1387\"\u003eO Amor é Fodido\u003c\/em\u003e, \u003cem data-end=\"1426\" data-start=\"1406\"\u003eA Causa das Coisas\u003c\/em\u003e and \u003cem data-end=\"1474\" data-start=\"1429\"\u003eAs Minhas Aventuras na República Portuguesa\u003c\/em\u003e, combines humor, sensitivity and a remarkable capacity for observation. In recent years, his writing has become more refined. One of the great chroniclers of the present day.\u003c\/span\u003e\u003c\/p\u003e","brand":"Assírio e Alvim","offers":[{"title":"Default Title","offer_id":52139598479626,"sku":"2026-MDT-VST-19","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2729\/6266\/files\/Avidainteira.jpg?v=1763487057"},{"product_id":"o-amor-e-fodido","title":"Love is fucked","description":"\u003cp data-start=\"62\" data-end=\"583\"\u003eDisassembling, with precision, the contradictions of modern love. Brief narratives and reflections that expose the wild, imperfect, and deeply human side of desire. Love as failure, impulse, delusion, sudden joy, destruction, and salvation.\u003c\/p\u003e\n\u003cp data-start=\"585\" data-end=\"1210\"\u003eSharp, intimate language. Dark, tender humor. That which makes us ridiculous when we love ]and that which makes us noble when we are able to keep loving.\u003c\/p\u003e\n\u003cp data-start=\"585\" data-end=\"1210\" style=\"text-align: right;\"\u003e\u003cem\u003e«Love is fucked because, when it's serious, it never leaves us whole.» \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-start=\"585\" data-end=\"1210\"\u003eTo love is always to lose something.\u003c\/p\u003e\n\u003cp data-start=\"585\" data-end=\"1210\"\u003e\u003cstrong\u003eMiguel Esteves Cardoso (b. 1955) \u003c\/strong\u003e\u003cspan\u003eis a writer, columnist, and a striking figure in Portuguese culture since the 1980s. He studied Economics, translated, wrote for various newspapers and magazines, and penned some of the most influential columns in the Portuguese press. His work, which includes books such as \u003c\/span\u003e\u003cem data-end=\"1404\" data-start=\"1387\"\u003eO Amor é Fodido\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem data-end=\"1426\" data-start=\"1406\"\u003eA Causa das Coisas\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem data-end=\"1474\" data-start=\"1429\"\u003eAs Minhas Aventuras na República Portuguesa\u003c\/em\u003e\u003cspan\u003e, combines humor, sensitivity, and a remarkable capacity for observation. In recent years, his writing has become more refined. One of the great columnists of the present day.\u003c\/span\u003e\u003c\/p\u003e","brand":"Assírio e Alvim","offers":[{"title":"Default Title","offer_id":52139813339402,"sku":"2026-MDT-VST-18","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2729\/6266\/files\/Oamorefodido.jpg?v=1763488616"},{"product_id":"a-realidade-agor-a-cores","title":"Reality now in colour","description":"\u003cp\u003e1st edition.\u003c\/p\u003e\n\u003cp data-start=\"408\" data-end=\"968\"\u003eLiterary mission: to dismantle Portugal (and the world, while we're at it) with a smile. The book establishes a dialogue between fiction and essay, chronicle and the absurd. \u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003e\u003cem\u003e\"Rui Zink has already accustomed us to his mordacity, which here explodes in many daring feats. In the parodic treatment of some serious social problems (the gypsies, organ trafficking, the Casal Ventoso), which ends up working as ironic criticism. But mainly in the uses of language, which range from the invention of new terms (\"sacavanear\") to \"pastiches\" of various jargons. \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003e\u003cem\u003eThe journalistic, as in \"Penúltima hora\", where the news about a bomb in a restaurant gives way to the vocabulary of culinary criticism, an excursion of advertising to the menu and the place, to return to the tragic event; the literary, as the writing of Eça de Queiroz, in \"Capítulo inédito\", presented as a newly discovered first version of an excerpt from Os Maias, even prior to the controversial Tragedy of Rua das Flores. At the very least, very funny.\"\u003c\/em\u003e Helena Barbas, \u003cem\u003eExpresso\u003c\/em\u003e, 21 November 1998\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-end=\"1256\" data-start=\"1244\"\u003eRui Zink\u003c\/strong\u003e, born in Lisbon in 1961, is one of the most singular voices in contemporary Portuguese literature. Writer, professor and intellectual provocateur, he has built a body of work marked by irony, social criticism and the rare ability to transform the everyday into revealing absurdity.\u003c\/p\u003e\n\u003cp\u003eIn books such as O Destino Turístico, A Instalação do medo or Hotel Lusitano, he explores the tension between fantasy and reality: humor as an acute form of thought. \u003c\/p\u003e","brand":"Signo","offers":[{"title":"Default Title","offer_id":52139944018186,"sku":"2026-MDT-VST-17","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2729\/6266\/files\/A_realidade_agora_a_cores.webp?v=1763489623"},{"product_id":"o-rapaz-de-botticelli","title":"Botticelli's Boy","description":"\u003cp\u003e\u003cspan\u003ePublished in 2002, it won the Pen Club Fiction Prize. It explores the decline of a famous dancer, using this story as a means to reflect on various themes.\u003c\/span\u003e\u003cspan class=\"vKEkVd\" data-animation-atomic=\"\" data-processed=\"true\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-start=\"1063\" data-end=\"1083\"\u003eMafalda Ivo Cruz\u003c\/strong\u003e\u003cspan\u003e is a Portuguese writer, translator and essayist. Her work is distinguished by the search for an emotional truth. In \u003c\/span\u003e\u003cem data-start=\"1305\" data-end=\"1321\"\u003ePequena Europa\u003c\/em\u003e\u003cspan\u003e, she confirms herself as one of the most elegant and intense voices in contemporary Portuguese literature. She is the author of Um Requiem Português (1995), A Casa do Diabo (2000), O Rapaz de Botticelli (2002, Pen Club Fiction Prize), Vermelho (2003, APE Grand Prize for Novels and Novellas 2004), Emma (2004) and Oz (2006).\u003c\/span\u003e\u003c\/p\u003e","brand":"D. 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She won the Golden Globe for Best Performer in 2025 and is the daughter of football player José Águas.\u003c\/p\u003e\n\u003cp\u003eShe debuted in 1976 with the Beatnicks, the first rock band with a female vocalist in Portugal, having previously sung backing vocals for artists such as Marco Paulo. 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At the end of each chapter, e-readers could suggest their own alternatives for the story to continue. Rui Zink left some doors open, offering different ways the story could unfold, but, as he himself says (JL, 28.11.01), “sometimes the e-readers would turn the story upside down. There was a certain sadistic pleasure in watching me get my boot kicked.”\u003c\/p\u003e\n\u003cp\u003eThe book is now available, and Zink says the result “was magnificent in every respect.” The illustrations, including the cover image, which depicts a hand rescuing a CD-ROM from the ocean (a tribute to “The Lusiads”), are by Manuel João Ramos.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-end=\"1256\" data-start=\"1244\"\u003eRui Zink\u003c\/strong\u003e, born in Lisbon in 1961, is one of the most distinctive voices in contemporary Portuguese literature. 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Against a backdrop where several decades of this century's Portugal intersect, the author creates a true textual polyphony that encompasses multiple narrative voices, in a sequence that is utterly enchanting, moving between memory and dream, and at times bordering on madness, without however losing its grip on reality. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe text thus presents itself to us as a labyrinthine web where the story is gradually deciphered, amid what emerges as an expression of something formless and purely instinctual, and the confrontation with the extreme violence of lived experience.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong data-end=\"1083\" data-start=\"1063\"\u003eMafalda Ivo Cruz\u003c\/strong\u003e is a Portuguese writer, translator, and essayist. Her work is distinguished by the pursuit of an emotional truth. 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A night more vast, indifferent to everything.\u003c\/p\u003e\n\u003cp\u003eThese voices that emerge from the night may become \"real\", for an instant. Perhaps they may even remain, as a \"particular reality\". But they define nothing. Nor are there truly any value judgments. 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It is disconcerting, but it is the perfect portrait of what we are.”\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003ePaulo Mendes Pinto, Visão\u003cbr\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv\u003e\n\n\u003cp\u003e\u003cem\u003e“Unmasking the ideological structure that surrounds us – and not many people can do it like he does – Rui Zink has managed a magnificent text.”\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eIrmtraud Gutschke, Neues Deutschland\u003cbr\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv\u003e\n\n\u003cp\u003e\u003cem\u003e“Dry, raw, the book takes a risk on the formula and is effective in its effect. 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I will return to her.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTo experience the true limits of imagination\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eFor young people and adults.\u003c\/span\u003e\u003c\/p\u003e","brand":"Chimpanzé Intelectual","offers":[{"title":"Default Title","offer_id":52150633955594,"sku":"2026-MDT-VST-6","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2729\/6266\/files\/Acr1095809_7f614259-0509-428f-b06c-2d94431ea4e3.png?v=1763983029"},{"product_id":"a-minha-andorinha","title":"My swallow","description":"\u003cp data-start=\"0\" data-end=\"802\"\u003e\u003cspan\u003eThere is nothing worse than a spontaneous gathering of the common folk. They flock together in this country. It is to see who has died or to beat a wretch who has killed the children and the chickens. It is to play cards or to buy fake Lacoste shirts that, instead of a crocodile, feature a Berlengas sardine. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"802\"\u003e\u003cspan\u003eAt the slightest excuse, the common folk, who are bored and long for distraction, gather together. It should be banned, except at fairs and pilgrimages. If we are going this far, fairs and pilgrimages should also be banned, because it has already been shown that they encourage contact between people. […]\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"802\"\u003e\u003cspan\u003eBut let us not ramble, because there is much to be trimmed. For example, those beggars who, instead of orally presenting their appeal, in the traditional style, produce an extensive, self-pitying text, written in illegible Portuguese, saying that they have been better and that they are practically as good as they are going to get. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"802\"\u003e\u003cspan\u003eThose ladies who know the names of all the cakes and make a show of it. Instead of pointing with their finger to the shop window, like ordinary mortals who have more important things to do, they begin to recite their Masonic spells.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"802\" style=\"text-align: right;\"\u003e\u003cspan\u003e\"A Jesuit, a daisy, a charleston, a six-nozzle lathe, a berimbau, a gonzaguinha, and two custard tarts.\" Miguel Esteves Cardoso\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"1186\" data-end=\"1723\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong\u003eMiguel Esteves Cardoso (b. 1955) \u003c\/strong\u003eis a writer, columnist, and an influential figure in contemporary Portuguese culture. With a background in Economics and a long career in journalism and communications, he became known for his singular voice, capable of combining humor, lucidity, and a precise observation of everyday life. His work — which includes books such as \u003cem data-start=\"1526\" data-end=\"1546\"\u003eA Causa das Coisas\u003c\/em\u003e, \u003cem data-start=\"1548\" data-end=\"1567\"\u003eOs Meus Problemas\u003c\/em\u003e and \u003cem data-start=\"1570\" data-end=\"1587\"\u003eO Amor é Fodido\u003c\/em\u003e — has evolved over the decades into a more intimate and refined writing style, in which reflection on love and time takes center stage.\u003c\/p\u003e","brand":"Assírio e Alvim","offers":[{"title":"Default Title","offer_id":52174987559178,"sku":"2026-MDT-VST-2","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2729\/6266\/files\/image_69733a93-4644-4670-8953-2511b9e40c8e.jpg?v=1764079906"},{"product_id":"a-causa-das-coisas","title":"The cause of things","description":"\u003cp\u003e\u003cspan\u003e1986. Sold out in other bookstores.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“There is a Portuguese institution that is unique in the entire world. It is the ‘while we’re at it’. In other cultures, it would be a pleonasm. In ours, it is part of the bewilderment.”\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe ‘while we’re at it’, and the popular variant “Since you’ve got your hand in the dough…”, signify the particularly Portuguese way of wanting things. The Portuguese do not like to say that they want things. Among us, wanting is considered an act of violence. That is why, when you go into a café, you say that you would like an espresso, never that you want an espresso. If someone also offers you a shot of aguardente, you say: “While we’re at it…”. Everything is expressed in the past tense, in the conditional, in the coincidental.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eMiguel Esteves Cardoso (b. 1955) \u003c\/strong\u003eis a writer, columnist, and an influential figure in contemporary Portuguese culture. With a background in Economics and a long career in journalism and communications, he became known for his singular voice, capable of combining humour, lucidity, and a precise observation of everyday life. His body of work—which includes books such as \u003cem data-end=\"1546\" data-start=\"1526\"\u003eThe Cause of Things\u003c\/em\u003e, \u003cem data-end=\"1567\" data-start=\"1548\"\u003eMy Problems\u003c\/em\u003e and \u003cem data-end=\"1587\" data-start=\"1570\"\u003eLove is Fucked\u003c\/em\u003e — has evolved over the decades into a more intimate and refined style of writing, in which reflection on love and time takes centre stage.\u003c\/span\u003e\u003c\/p\u003e","brand":"Assírio e Alvim","offers":[{"title":"Default Title","offer_id":52270098383114,"sku":"2026-MDT-VST-1","price":22.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2729\/6266\/files\/Acausadascoisas.jpg?v=1765880927"},{"product_id":"o-manuscrito-na-garrafa","title":"The manuscript in the bottle","description":"\u003cp\u003e\u003cstrong\u003eReport of the Directorate of Censorship Services, No. 6,664, 10-10-1960: “This is an objectionable book, from political, social and moral points of view. \u003cspan style=\"font-size: 0.875rem;\"\u003eThe passages marked on pages 11, 36 to 38, 46, 49, 52, 70, 73, 75, 77, 79, 89, 91, 119 to 121, 123, 125, 126, 133, 134, 141 and 149 reveal its nature. I believe it should not be permitted to circulate in the country.” \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe book’s dedication to Adelino Tavares da Silva, Papiniano Carlos (1918–2012) and Urbano Tavares Rodrigues (1923–2013), journalists and writers affiliated with the Portuguese Communist Party who carried out intense clandestine activity against António de Oliveira Salazar’s regime, may have raised the alarm and alerted censors to the work’s potential “subversive content.”\u003c\/p\u003e\n\u003cp\u003eDistributed for reading on 7 October, three days were enough for the report to be produced and another two for the censors’ verdict: “Prohibited.” The blue pencil was relentless, without appeal or mercy.\u003c\/p\u003e\n\u003cp\u003eAn “objectionable book” because\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e(i) it contained sacrilegious thoughts and words regarding “a faceless God, terribly just, yet complicit in each person’s animality.” “And God—if there is a God, or whatever it is—is having a great deal of fun with our little tradesmen, watching these wretched beings from Olympus (…). How nauseating it makes me feel!”;\u003c\/li\u003e\n\n\u003cli\u003e(ii) it was against morality and good taste, describing nudist scenes: “In the solitude of the dune, Carlos watched her undress, piece by piece…”;\u003c\/li\u003e\n\n\u003cli\u003e(iii) it contained explicit references to body parts and sexuality: “He felt a thread of emotion take hold of him and slapped her buttocks to hide it. (…) The game of signs continued.” “And again the room filled with luminous rumours, with moans, with sibilant words….” “Slowly, like someone seeking a forgotten path, Carlos’s mouth pressed against her smooth, dark skin in long, lingering, violent kisses”;\u003c\/li\u003e\n\n\u003cli\u003e(iv) it depicted political stances and protest meetings: “A group of democrats supported the candidacy of an active-duty officer, a confessed servant of the Status Quo, as a way of opening a breach in the regime. The bulk of the Opposition disagreed; they wanted a candidate who could give firm guarantees of loyalty to the Republic and democratic ideals,” “The election was a disappointment: the official figures made public showed the government candidate winning by an overwhelming majority of votes”;\u003c\/li\u003e\n\n\u003cli\u003e(v) it depicted social and moral degradation, with gambling tables, drinking…\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp\u003eIn short, it was a collection of references to acts prohibited or censurable (?!), in the eyes of a society of good taste, morality, or public opinion. \u003c\/p\u003e","brand":"Guimarães Editores","offers":[{"title":"Default Title","offer_id":53328046260490,"sku":null,"price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2729\/6266\/files\/manuscritonagarrafa.jpg?v=1783502932"},{"product_id":"as-aventuras-de-miss-boston-a-primeira-detetive-mulher","title":"The Adventures of Miss Boston, the First Woman Detective","description":"\u003cp\u003eLong before Charlie's Angels, Jessica Fletcher, Miss Marple and even Judith Lee, there was Ethel Boston, the first female consulting detective in America, a former associate of Nick Carter, trained by the famous detective William Hopkins.\u003c\/p\u003e\n\u003cp\u003eMiss Boston was the prototype of the New Woman, who believed in and fought for sexual and legal equality with men. She was educated, athletic and vigorous, and avoided marriage because it interfered with her personal fulfilment and independence. \u003c\/p\u003e\n\u003cp\u003eMiss Boston not only achieved equality, but surpassed it. 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